Frederick Mote, one of the twentieth century's most prominent Sinologists, has written a historian's memoir that uses observation and personal experiences to understand the intellectual and social transformation of China. Mote's thought-provoking narrative distills his reflections on modern China and details change in Chinese historical studies in the twentieth century. Mote as...(展开全部)

Frederick Mote, one of the twentieth century's most prominent Sinologists, has written a historian's memoir that uses observation and personal experiences to understand the intellectual and social transformation of China. Mote's thought-provoking narrative distills his reflections on modern China and details change in Chinese historical studies in the twentieth century. Mote as...(展开全部)

The problem with the history of twentieth-century Europe is that everyone thinks they know it. The great stories of the century - the two world wars, the rise and fall of Nazism and communism, female emancipation - seem self-evidently important. But behind the grand narratives, the politics and the ideologies, lies another history: the history of forces that shaped the lives of...(展开全部)

本书是美国著名中国现代美术史学者安雅兰1998年在纽约古根海姆博物馆策划的大型展览“危机中的一个世纪:20世纪中国艺术中的现代与传统”的展览图录。该展览试图对一个世纪以来的中国艺术作一次概括性的回顾和总结。在书中作者把现当代中国美术划分为四个时期，即“中国画的革新，1850一1950";“现代主义者，1920-1950";“新中国艺术，1950-1980";以及“传统的改造，1980至今”，并分别描述和分析了各个时期的风格特点以及其时代特征。 Between 1850 and today, China has undergone an unprecedented series of shocks and transformations. This dramatic period -- which has seen urban industrializ...(展开全部)

本书是美国著名中国现代美术史学者安雅兰1998年在纽约古根海姆博物馆策划的大型展览“危机中的一个世纪:20世纪中国艺术中的现代与传统”的展览图录。该展览试图对一个世纪以来的中国艺术作一次概括性的回顾和总结。在书中作者把现当代中国美术划分为四个时期，即“中国画的革新，1850一1950";“现代主义者，1920-1950";“新中国艺术，1950-1980";以及“传统的改造，1980至今”，并分别描述和分析了各个时期的风格特点以及其时代特征。 Between 1850 and today, China has undergone an unprecedented series of shocks and transformations. This dramatic period -- which has seen urban industrializ...(展开全部)

Written by a diverse group of scholars who bring their regional expertise together, this best-selling text offers a balanced treatment of global events and developments in the twentieth century and beyond. By integrating key themes of science and technology, economics, political and social developments, international relationships, and cultural trends throughout its chronologic...(展开全部)

At the end of the nineteenth century, some physicists believed that the basic principles underlying their subject were already known, and that physics in the future would only consist of filling in the details. They could hardly have been more wrong. The past century has seen the rise of quantum mechanics, relativity, cosmology, particle physics, and solid-state physics, among ...(展开全部)

TThrough a comparative analysis of diverse texts and contexts, this book offers a cultural history of the interplay between the aesthetic and the political in the formation of personal and collective identity that crystallizes into the Chinese aesthetic of the sublime. It describes how various kinds of politics are aestheticized and how aesthetic manifestations are bound up wit...(展开全部)

安娜·格林（Anna Green），英国埃塞克斯大学历史学博士，曾在该校讲授公共历史与口述历史，现在是新西兰惠灵顿维多利亚大学副教授。她的研究领域主要集中在历史学、文化研究等方面，尤其关注社会历史、文化记忆和身份认同。她还是新西兰国家口述历史协会主席，《澳大利亚口述历史》期刊编辑委员会成员和《口述历史》（英国）国际编辑顾问委员会成员。其他著作还有《记忆：书写口述历史》（Remembering: Writing Oral History）。 凯瑟琳·特鲁普（Kathleen Troup），现任澳大利亚墨尔本大学历史与哲学学院副教授，研究领域包括历史学理论与方法、文化研究以及性别研究。她在多个学术期刊上发表过文章，并且参与编写了多本关于历史理论和方法的书籍。 译者简介： 王涛，南京大学历史学院教授，数字史学研究中心主任，研究领域涉及德国史、数字史学、教会...(展开全部)